Archive for the ‘Publications’ Category
The first time I encountered Paul Cunningham was at a literary reading held at the Lincoln Park Performing Arts Center in Midland, PA. I often have low expectations of literature and poetry readings—not because the readers lack quality, but rather, I’ve attended enough of them that sometimes it feels all too usual.
However, Paul was far from usual, something that became apparent the second he started reading. The piece, an evocation of hardboiled gangster tales, could have suffered archetypal cliché, but it didn’t. Instead, it was rife with originality, and damn it, I wanted to hear more.
I didn’t encounter Paul all that often after that, but I kept his name in the back of my mind. I admired his talent, and at the least, would look forward very much to sitting down one day to read one of his books.
As luck would have it, some time later, Paul and I came to be associates through this very publication, Open Thread. Brought on by the editors to bring our own unique flair to the blog and arts reviews (his far more classy than mine, to be sure), Paul and I started conversing periodically and I discovered that this was not just a good writer, but generally a pretty stand-up guy.
He also wasn’t one to sit still.
Writing up a veritable storm, Paul’s work had appeared in numerous online journals beyond OT, including H_NGM_N, decomP, haha clever dot com, WTF PWM, Read Some Words, DOGZPLOT, Pinstripe Fedora, and Writer’s Bloc. He also serves as an assistant managing editor to SLAB and is the author of This Boy, This Broom, a collection of nonfiction essays published by BatCat Press.
However, even this impressive list of contributions wasn’t enough for Paul. Seeking a need to get more art out there and allow artists like himself to be heard, Paul created an online literary journal of his own. Thus, Radioactive Moat was born. The first issue, featuring a slew of authors and artists from all walks of life was a success and met with praise. Author and contributor Gary Barwin even went so far as to refer to the first issue as “beautiful.”
Such praise was definitely not the minority either.
With Radioactive Moat’s first issue a success, a second issue was sure to follow. I managed to snag Paul away from his busy schedule of reading submissions for a few questions in the days before the second issue’s deadline to talk about this wonderful publication, its genesis, and what readers can expect from RM in the future.
OT Blog: What inspired you to start RM?
Paul: Inspiration for RM came from a lot of grief I accumulated, actually. I came across a relatively new online journal about a year ago and I couldn’t even begin to fathom why anyone would want to submit work for publication. The layout was disastrous and it was not all memorable; the font, the colors and even the masthead–all if it was incredibly bland. There are thousands of options for the modern writer seeking online publication–so many writers figure, eh, why bother starting a new online magazine–what’s the use? While I admit I have not created an online journal that is wholly unique, I do believe I have created an online journal that is inventive, yet navigable. One has to realize that reading literature online is very different from reading a print journal or chapbook. And the editors of many online publications are not always sensitive to such variation–whether clumsy HTML is to blame or, again, a clear lack of navigability. It was online journals like FOU that got me excited about the idea of creating a memorable online publication. If one thing is certain, the name (Radioactive Moat) has certainly been responsible for gaining the attention of some of the most interesting folks on the world wide web. As someone who grew up obsessing over beloved creatures like Swamp-Thing, The Toxic Avenger, and Teenage Mutant Ninja Turtles, I guess I don’t find it odd that I’m managing a literary magazine called “Radioactive Moat.” I’ve always had a penchant for strange stuff–that apparently includes mysterious notions of radioactivity.
OT Blog: What kind of material do you look for to include, or rather, what kind of writing and art are you looking to represent?
Paul: RM is a place for experimental literature and I am most interested in work that introduces new aesthetic strategies, as well as literature that celebrates a surreal dichotomy of the quote, unquote “average human being” or rather, the existing complexities contained (and overlooked) by something or someone commonly dismissed as “simple” or “insignificant.” The submission guidelines state that Radioactive Moat seeks themes of reactivity, corrosivity, ignitability and toxicity. The four themes actually reference true aspects of radioactivity, but my intention is for writers to apply those aspects to their writing in a figurative sense. For instance, sex–let’s see how a writer can apply reactivity, corrosivity, ignitability or toxicity to sex. That doesn’t mean I want to read a poem called, My Toxic Sex Ignites You, Baby. Then again, looks can be deceiving…
OT Blog: How was the first issue received? Any reader response?
Paul: Conor Robin Madigan even sent me a rare image of marching Chinese cockroaches–I guess that was his way of saying he likes Radioactive Moat (ha ha). Issue One left readers with big expectations for Issue Two and I’m pretty confident those expectations will be satisfied. I’m also very excited about this issue’s digital cover artist, Jesse Draxler, a highly awesome mixed-media artist.
OT Blog: What would you like to see in the future of RM?
Paul: My hopes for the future of Radioactive Moat are glowing with optimism. Though, I think there’s always room for expansion. Interviews with various writers will be occurring on the site soon, and though I’ve considered how RM might function as a quarterly, I’m pretty content with it as a bi-annual publication.
With many thanks to Paul for taking the time to talk with us, I encourage all readers to take some time to visit the pages of Radioactive Moat. The first issue, still available for perusal on the site, truly is a phenomenal slice of reading and a nice break from the drudgery so often encountered in online publications. The next issue, due at the beginning of March, is something for the discerning fan of art and renegade literature to keep an eye out for.
A strong publication founded by an author and artist whose talent certainly just gets better with each new work, Paul Cunningham and Radioactive Moat are destined for great things among the pantheon of quality literature.
So not only do I give Radioactive Moat and its creator a strong recommendation—I’d like to think I’ve given it a glowing one. Because after all, when it comes to radioactive moats, is there any other kind?
The open reading period for Volume Two of the Open Thread Regional Review closes on Sunday, November 1st at midnight! We’re considering unsolicited poems, stories, essays, paintings, drawings, prints, photos, video stills, documentation of 3-D work, comics, and mixed media and genres!
Who’s eligible? Any native or current resident of Open Thread’s target region: Ohio, Pennsylvania, and West Virginia. Eligible writers and artists must also be in the early stages of a career in their respective field.
Here’s how to submit: go to www.openthread.org, register as an Open Thread member (free!), and then upload your work at www.openthread.org/submit! Be sure to read carefully: preference is given to work that meets our submission guidelines.
The Open Thread Regional Review is an essential collection of the region’s best emerging art and literature. Volume Two is scheduled for release in early 2010 and is supported in part by a Seed Award from The Sprout Fund. Volume One is available for purchase at www.openthread.org/publications.
Pittsburgh poet and Prosody radio host, Jan Beatty, will be heading to Slippery Rock University on April 22 for the release of the fourth edition of the literary publication, SLAB. She’ll be making an appearance as the evening’s keynote reader, providing the public with a taste of her ever-reaching craft. The event will begin at 7:30 PM at the University’s Russell Wright Alumni House.
Beatty’s poetry has appeared in Quarterly West, Gulf Coast, Indiana Review, and Court Green, as well as anthologies published by Oxford University Press and University of Iowa Press. In 1994, her first book of poetry, Mad River, was honored with the Agnes Lynch Starret Poetry Prize of the University of Pittsburgh Press. 2008 marked the debut of her latest book, Red Sugar, which declared the ignored complications involving the interior and exterior thoughts of a woman’s body.
In addition to the book-launch, student sound/audio projects will also be showcased. The evening itself will contain a variety of odd and thought-provoking highlights, as well as the announcement of the recipients of the annual Elizabeth R. Curry Prize in Poetry.
Editor’s Note: The contributor is the Sound/Audio Editor, as well as a poetry and creative nonfiction reader, for SLAB.
About The Lit
Known as The Poets’ and Writers’ League of Greater Cleveland (PWLGC) since 1974, The Lit has shed its unwieldy title and is chartering a new course under the leadership of Executive Director Judith Mansour-Thomas.
“We’ve undergone some pretty major changes since the strategic re-planning [in the 2000s],” says Judith. The changes are evident: in 2001, the PWLGC committed itself to the creation of the Literary Center, a space that could host seminars, workshops and readings. The Ohio Writer is now The Muse. In 2007, the board of The Lit - newly christened - created a new Executive Director role; enter Judith Mansour-Thomas.
“It’s the best job I’ve ever had; everyone here loves what they do,” says Judith, who got her dream job after years as the Assistant Director of MoCA. Under Judith, The Lit most significant change has been its literacy efforts in Cleveland communities. “We look at it as a matter of expanding our audience,” she explains.
That growing audience is lucky; The Lit offers seminars, workshops and a spectacular lineup of readings. “The Cleveland area is just packed with great writers - Pulitzer winners and nominees - and nobody knows they’re here!” Judith says with equal parts exuberance and exasperation. Take it from us in Pittsburgh, Judith: We understand how you feel! Check out their packed calendar of events.
What The Lit Can Do for You
If you like to volunteer, The Lit can do a lot. Literacy volunteers, event volunteers, office volunteers - you name it, this small, efficient organization will use it.
If you don’t like to volunteer, there’s good news: The Lit can do even more. Its annual competition closes in just a few days: Oct. 15. So submit now. Its quarterly journal, The Muse, has a distinct blend of art and writing with a great twist: writers of all forms use their work to respond to local artwork. Perhaps most impressive are their non-stop course offerings, including offerings for area youth and a discount for members.
Heck, if you want to hold a release party for your new book of poems, The Lit is here to help you again. “We absolutely want to hear from people [who want to do that],” assures Judith, who just hosted local poet and professor Mary Weems for the release of Weems’ latest poetry collection.
Whatever your literary needs, if you live in Northeast Ohio and haven’t used their services, it’s time for that to change. To visit The Lit: Cleveland’s Literary Center, go to the ArtCraft Building at 2570 Superior Avenue, Suite 203. To contact them, 216.694.0000 firstname.lastname@example.org.
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